Warhols Work Such as Heinz 57 Tomato Ketchup Celebrated the Commercial Art of

Polaroid of Mick Jagger taken by Andy Warhol.

Andy Warhol and Mick Jagger first met in 1963, when the lead singer of the Rolling Stones met the creative person at a party during the band's bout. Warhol was known to be very social and a frequent partier, as was Jagger. This would set to tone for their personal and professional relationship. The ii worked together for the first time on the album art for the Rolling Stones albumGummy Fingersin 1971. Jagger approached Warhol to design the cover for the upcoming anthology. The comprehend fine art forSticky Fingers features a closeup of the crotch of a man wearing a tight fitting pair of pants. Warhol'southward fascination with the human torso and the Stones' sex and rock north' curlicue paradigm fit perfectly together and the two creators agreed to collaborate over again.

"Sticky Fingers" anthology cover, designed by Andy Warhol. 1971.

This kicked off the beginning of a productive and collaborative relationship between the 2 artists. A few years later in 1975, Warhol printed a portfolio of ten screenprint portraits of Mick Jagger. Each 1 captures the singer in various expressions and poses, showcasing Jagger's famous looks and bad male child persona. The portraits feature blocks of opaque color sometimes covering parts of Jagger's face, besides as a sketched line quality to them, all hallmarks of Warhol's distinct art style. Warhol at this time was already obsessed with the idea of fame and celebrity. The Rolling Stones were hugely popular and touring around the earth by this point, making Jagger a perfect subject for Warhol's creative exploration.

Andy Warhol, Screenprint, Mick Jagger, 1975.

In the summer of 1975, Jagger and his wife Bianca rented Warhol'due south Long Isle dwelling and stayed with the artist for a period of fourth dimension. The three hung out together and it was during this time that Warhol shot his first photographs of Jagger, attempting to capture the man'due south illustrious personality. Warhol said of Jagger: "He's androgynous enough for virtually anyone. That's always been his basic appeal, mixed with the facts that: 1 – He'southward very talented; 2 – He's very intelligent; 3 – He's very handsome; 4 – He's very adorable."

Warhol taking Polaroid photos of Jagger.

Jagger likewise profoundly admired Warhol, stating after his decease: "The affair that he seemed to be able to do was to capture order, whatever part of it he wanted to portray, pretty accurately. That's one of the things artists do, is show people after on what it was similar." The ii artists held a mutual respect and love for each other that was clear to run into. Both had magnetic personalities and incredible creative vision. Today, we go to enjoy the creative fruits of their relationship through Polaroids and screenprint portraits.

Andy Warhol, Warhol and Jagger, Mick Jagger, 1975.

Andy Warhol: Campbell Soup Cans Serial

By Admin A on 16 Mar 2022

Cite: https://commons.wikimedia.org/wiki/File:Andy_Warhol-_Campbell%27s_Soup_Cans_(1962)_(8477712014).jpg

Introducing Andy Warhol's Campbell Soup Cans Series I and II

Andy Warhol'southward Campbell's Soup Cans are perhaps the almost well-known images of American modern art. Initially created as a serial of 30 2 canvases in 1962, the soup cans gained international acclamation as a quantum in Pop Art.  When the paintings were get-go exhibited in that twelvemonth, they were displayed together like products at a grocery store.  Each soup can corresponded to a different flavor and resembled the bodily prototype of the crimson and white Campbell'southward Soup cans.  Though they appeared identical to the well-known grocery items, the creative person's handiwork was evident through the slight variations in the lettering and in the hand-stamped fluer-de-lis symbols on the lesser of each tin can. This juxtaposition between pure replication and the artist's hand makes the series all the more intriguing.

Warhol's inspiration for the series developed from his personal life. He explains "I used to drink it. I used to have the same tiffin every 24-hour interval, for 20 years, I gauge, the same thing over and once more." This sense of repetition was definitely both internalized past the artist and embodied by commercial mass culture. Initially, the debut of the Campbell's Soup Cans was widely contested every bit many viewers struggled to grapple with such flagrant cribbing of a commonplace object. However, Warhol would take the themes of repetition and mass production further past creating ii portfolios of Campbell's Soup Tin screen prints in 1968.

Screen print Portfolios I and II

The screen print portfolios Campbell'south Soup Cans I and Campbell'south  Soup Cans Two were created in 1968 and 1969 respectively. Each portfolio contains 10 screen prints and corresponds with the paintings and were 1 of the kickoff portfolios to be published through Mill Additions, a company Warhol created to distribute his prints.  The mechanical photo silk-screen procedure would further erase any trace of the artist'southward mitt and create a level of precision matching the design of the cans.  This is an interesting adaptation of a medium which was typically used for producing advertisements.  Warhol deliberately used the associations with the medium to make viewers question what qualifies a true work of fine art. The motivation behind the screenprints is succinctly summarized by  Warhol's famous words: "I desire to be a machine." Truly, this series of prints are Warhol'due south nigh uniform and mechanical images he ever produced.  Soon later, this blazon of printmaking became Warhol's signature medium .

Campbell'due south Soup Tin 1968:

Andy Warhol, Campbell's Soup Can (Black Bean), 1968, Screenprint on Paper (F&S.II.44)

Andy Warhol, Campbell'south Soup Tin can (Chicken Noodle), 1968, Screenprint on Paper (F&S.2.45)

Andy Warhol, Campbell's Soup Tin can (Tomato), 1968, Screenprint on Paper (F&Due south.II.46)

Andy Warhol, Campbell's Soup Tin can (Onion with Beef Stock), 1968, Screenprint on Newspaper (F&S.Two.47)

Andy Warhol, Campbell's Soup Can (Vegetable with Beef Stock), 1968, Screenprint on Newspaper (F&South.II.48)

Andy Warhol, Campbell's Soup Can (Beefiness with Vegetables and Barley), 1968, Screenprint on Newspaper (F&S.II.49)

Andy Warhol, Campbell's Soup Can (Green Pea), 1968, Screenprint on Newspaper (F&S.II.fifty)

Andy Warhol, Campbell'southward Soup Can (Pepper Pot), 1968, Screenprint on Paper (F&South.II.51)

Andy Warhol, Campbell'south Soup Can (Consomme), 1968, Screenprint on Paper (F&South.Two.52)

Andy Warhol, Campbell's Soup Tin (Cream of Mushroom), 1968, Screenprint on Newspaper (F&S.Two.53)

Campbell's Soup Can 1969:

Andy Warhol, Campbell's Soup Tin (Quondam Fashioned Vegetable), 1968, Screenprint on Newspaper (F&South.Two.54)

Andy Warhol, Campbell's Soup Can (Scotch Broth), 1968, Screenprint on Paper (F&S.II.55)

Andy Warhol, Campbell's Soup Can (Vegetarian Alphabet), 1968, Screenprint on Newspaper (F&Due south.Two.56)

Andy Warhol, Campbell's Soup Tin (New England Clam Chowder), 1968, Screenprint on Newspaper (F&S.II.57)

Andy Warhol, Campbell's Soup Tin (Craven 'N Dumplings), 1968, Screenprint on Paper (F&S.2.58)

Andy Warhol, Campbell'south Soup Can (Hot Domestic dog Bean), 1968, Screenprint on Paper (F&S.2.59)

Andy Warhol, Campbell's Soup Can (Oyster Stew), 1968, Screenprint on Newspaper (F&Due south.2.60)

Andy Warhol, Campbell'southward Soup Tin (Tomato-Beef Noodle O'southward), 1968, Screenprint on Paper (F&Southward.II.61)

Andy Warhol, Campbell's Soup Can (Golden Mushroom), 1968, Screenprint on Paper (F&S.II.62)

Andy Warhol, Campbell's Soup Can (Cheddar Cheese), 1968, Screenprint on Newspaper (F&S.Ii.63)

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Source: https://www.masterworksfineart.com/artists/andy-warhol/campbells-soup?page=2